Born in 2002 in South Korea, Jeein You began playing cello at the age of five. Between 2009-2016 she studied with Myung-wha Chung at Korea National University of Arts Preschool and the Korea Institute for Gifted in Arts, at the age of 13, gained a place at the Conservatoire National Supérieur de Musique de Paris in the class of Michel Strauss, obtaining her Bachelors and Masters degree. She has engaged in masterclasses with renowned cellists such as Arto Noras, Frans Helmerson, Song-young Hun, Tsuyoshi Tsutsumi and many others. 

Jeein was selected as a laureate for Gautier Capuçon’s Classe d'Excellence de Violoncelle at the Louis Vuitton Foundation during seasons 2019-2022, and in the 2022-23 season will also partake in the recently launched Fondation Gautier Capuçon. 

This season, Jeein will perform in recital at the Seoul Arts Center in IBK Hall, as well as on tour throughout Europe (including Konzerthaus Vienna, Konzerthaus Dortmund, Fondation Louis Vuitton Paris, Salle Métropole Lausanne and Victoria Hall Geneva) with Gautier Capuçon and ensemble Capucelli. In 2021 the ensemble of eight cellists recorded works to be released on Gautier’s upcoming album ‘Sensations’. Later this season Jeein will also perform at Classeek’s concert hall in Switzerland, as part of their Ambassador Programme concert season for emerging young artists. 

Championing many acclaimed competitions, Jeein has won several first and special prizes including the International Dotzauer competition for Young Cellists in Dresden, Germany (First prize and special prize), 23rd International Cello Competition in Heran, Czech Republic (First prize and grand prize), and the 11th OSAKA International Music Competition (First prize). Furthermore, she won both the first prize and contemporary music prize at the 10th International Competition for Young Musicians in Tallinn, Estonia, which was followed by a winners performance of Haydn’s Cello Concerto in C with the Tallinn Philharmonic Orchestra. 

As a soloist, Jeein has performed concerti with the Philharmonia Korea Orchestra, Guro Arts Valley Orchestra, Gunpo Philharmonic Orchestra, Wonju Philharmonic Orchestra, Tallinn Philharmonic Orchestra, Kaunas Philharmonic Orchestra, amongst others. In recital, she has also performed in many established concert series and venues throughout Europe and Asia. 

Cello

Jeein You

Cellist Jeein You joins the Classeek Ambassador Programme under the recommendation of Gautier Capuçon, bringing us a wide-ranging virtuosic recital programme with pianist Samuel Parent. Bookending the evening are arrangements and reimaginings of much-loved operas: Granados’s Goyescas and Bizet’s Carmen.

Goyescas was the last of Granados’s six operas, beginning life as a series of piano pieces inspired by the lavish paintings of Francisco Goya, a fellow Spaniard who had dominated the art scene a century earlier. These were later expanded into an opera, but the Intermezzo doesn’t feature in the original scores. It was added later – as many intermezzos are – to allow for staging changes between scenes. Despite this late edition, it has developed a life of its own beyond the opera halls, becoming a popular independent concert piece, performed in both orchestral and chamber arrangements. Evocative and dramatic, it is full of technical and musical challenges for both cellist and pianist, with Spanish influences heard throughout.

Moving from the sounds of Spain to the textures and sonorities of the Russian church, we are introduced to Rachmaninov’s Cello Sonata in G minor, one of his most famous pieces of chamber music. Neither instrument is dominant here, with the piano introducing themes which are then embellished and expanded upon in the cello line. Written in 1901, it was a particularly critical time for Rachmaninov as a composer. He had endured a nervous breakdown and subsequent mental health crisis in 1897 following the failure of his First Symphony. 1901 signalled his return to his creative powers. His now hugely popular Second Piano Concerto was premiered in November, around the same time he started work on this sonata. 

We are brought back to the opera hall to finish, with Buxton Orr’s brilliant rendering of Bizet’s much-loved Carmen. Devised as an encore piece for a recital in 1985 New York, Orr’s Fantasy exploits the cello’s capabilities with double stopping, plucked notes and fast passages, while also remaining loyal to the original keys and Bizet’s musical style. It’s far from a whistle-stop tour of the opera’s famous tunes – they are merely hinted at, instead offering us an entirely new virtuoso composition.

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Jeein You, cello
Samuel Parent, piano

Duo Recital

13.12.22

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